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Mughal-e-Awesome!

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Hrithik Roshan never really basks in the glory of his success.

There’s a core of hunger and dissastisfaction about him that guides his talents to greater summits before pulling him back in time to start all over again from scratch.

I’ve seen the best artistes of Bollywood go through that existential and creative relay race. Perfection isn’t a state of mind. It is a quest, a quenchless journey that never ends.

I believe Hrithik eats lives and breathes his work. He started young. In fact, his first lead role was as a child artiste in Bhagwan Dada , a film that his dad Rakesh Roshan produced and his dad’s father-in-law J Om Prakash directed. In the film the young Hrithik shared screen space with the Southern phenomenon Rajnikanth. I think Hrithik out-performed his veteran co-star!

Scaling new peaks is nothing new to Hrithik. He’s done it from childhood. A loner by choice he had a speech impediment plus an extra finger to deal with before stardom beckoned. None of these ‘flaws’ matter any more as Hrithik sweeps across the screen in majestic leaps playing the Mughal emperor Akbar.

Galloping gloriously across the screen and engaging his lovely Rajput wife in a sword fight, he breathes a quenchless new fire into the historical genre. It would be no exaggeration to say that Hrithik turns Jodha-Akbar into a Mughal-e-Awesome. The sinewy poet-warrior’s part reminded me of Tom Cruise in The Last Samurai.
I’ve no hesitation in saying Hrithik would be the face of Akbar in books that need fictional visual representation of Mughal emperor. Just as much as Ben Kingsley became the face of Gandhi for all practical purposes.

Raj Santoshi should sign Hrithik to play Ram in Ramayan without a second thought. No one else today projects the valour and vibrancy of an era gone-by with such mollifying grace.

I’ve seen Hrithik go through hard times. After his debut a string of his films just wouldn’t work. He didn’t dither even when they called him a one-film-wonder.

Hrithik wasn’t bad in even one of those films that failed. In fact he was outstanding in films like Na Tum Jano Na Hum and Yaadein. He never let any film down. Today he has the potential to take mainstream cinema to another level. I’ve seen the undeserving become successful.

During the past decade actors with not an iota of Hrithik’s talent have become super-successful simply by hanging on to banners and directors who have a track-record of hits.It makes you scared to see the utterly mediocre strut around as mega-stars.

When I hear cynics snigger about how Hrithik tends to over-do the perfectionism I say, most of our superstars just got lucky.

They orchestrated successes, manipulated boxoffice figures and got themselves linked with various glamorous actresses and then pretended to get righteously indignant when they were caught out by the paparazzi.

Hrithik came into the industry with a sweetheart, married her and has had no affairs after marriage (and just one link-up prior to his wedding which, in private, he thoroughly regrets). Makes him an oddity in the entertainment industry where spousal fidelity means the wife doesn’t get to know what you’re doing behind her back.

Hrithik would rather have that challenging role than the secret roll in the hay. No furtive one-night-stands for this superstar. As Mughal-e-Awesome proves Hrithik believes in Won-Knight Stands.

Related posts:

  1. Grand success of JA tempts Muzaffar Ali(UJ fame) to make another historical
  2. Hrithik weaves a magical web (Source: Deccan Chronicle)
  3. JODHA AKBAR was showcased at Cannes 2007
  4. Now, Jodhaa Akbar banned in Uttar Pradesh (UP)
  5. Jodhaa Akbar Music to release on November 27!

There Is 1 Response So Far. »

  1. Jodhaa Akbar earns Rs 38.53 cr in 4 days

    Ashish Sinha | February 22, 2008 10:58 IST

    If the first four days of box-office collections give any measure of the commercial success of a Hindi-film, then the Hrithik-Aishwarya starrer period film Jodhaa Akbar may create box-office record in both US and India for the first week collections.

    For the first four days of its running, Jodhaa Akbar — a UTV Motion Picture release — has collected Rs 38.53 crore from the box office (domestic and international), a close second to last year’s Shah Rukh Khan [Images] starrer Om Shanti Om — that grossed about Rs 42 crore for the entire week. And there is three days of collections to be added.

    Other hot sellers in the box office like yet another Aishwarya-Hrithik starrer Dhoom 2 [Images], which was released in November 2006, had total box office collections of Rs 32-33 crore in the first week of its launch.

    Of the Rs 38.53 crore collections at the box office, Rs 25.34 crore are from domestic collections and that too from only the collections of Friday, Saturday and Sunday, says a UTV Motion Picture executive.

    Also, Jodhaa Akbar is the second highest Bollywood grosser after Om Shanti Om in the US collecting $1.6 million (about Rs 6.40 crore) during the first-four days of its release. Om Shanti Om collected Rs 6.90 crore in the first-four days of its release during Diwali, last year.

    In recent times, only Om Shanti Om could cross the Rs 40 crore-first week collections barrier. A close second so far has been Akshay Kumar [Images] starrer Welcome as it grossed about Rs 37 crore in the first week of its release, say the film-trade websites. But Jodhaa Akbar has already crossed this mark, says film trade analyst Taran Adarsh.

    Commenting about the film’s distribution strategy, Siddharth Roy Kapur, director, UTV Motion Pictures said: “Sensing the hype and curiosity created around Jodhaa Akbar in the US market, we released 129 prints of the film, the highest for any Hindi film released in the US. In India, we have released 500 physical prints and 400 digital prints and since there are no major Hindi releases, we expect Jodhaa Akbar to do very well.”

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